Contemporary view of the music

 Optimistic view of the contemporary music of deep carry.
Mm shot of Italy, that is the look. still has its context to be found.
contemporary music and its pros and cons of new prospects for the fate of the grade, the natural matter of opinion.
all existential contemporary music (including popular music since the past history) and social function and its realization, evolution , can be analyzed and discussed.
Chinese music experienced a witch before the music of Zhou and Qin, Wei and Jin period before the ritual, after a period of feasting before the Tang and Song dynasties, the Yuan, Ming and Qing and the Republic of China has entered the occasion which has the duality of art and commerce of Yile.
Reference II:
clumsy China's ancient music can be divided into four mm
1. witch before the music of Zhou and Qin;
2. Wei period before the ritual;
3. feasting before the period of the Tang and Song; < br> 4. folk music before the Ming and Qing period.
clumsy also highlighted:
witch in 1l of r in the music, musicians emerged mainly in wizards, magic music but an integral part of the original ;
ritual in 2l of r in the main to work Kabuki musicians emerged, music, ceremony but the client, the government of slaves, the supplementary punishment;
in 3l pleasures of r, the musician appears mainly as slaves, but l music entertainment close seat, then joy r, Zuojiu eating background;
in 4l of r in folk music, musicians mainly appear as actors, really into folk music the daily lives of the public.
my article .
In this period, mainly to professional musicians appear as artists, music appreciation completely transformed into commercial objects.
now appears that in the past for the yuan since the Ming and Qing dynasties and the Republic of China in both periods summary of the music, and no witch and I like music, ritual, feasting, like the broad, united in the domain of social function.
fact, both the Ming and Qing Yuan, or the Republic of China since the musicians to different the palace of the past, Kabuki, Kabuki officials, business Kabuki, Kabuki family of Musicians (professional actors, musicians, a class) as appears, they engaged in, is that the nature of the music performing aesthetic practice. only difference is that the agricultural civilization drama, folk art, or industrial civilization vocal, instrumental music. herein are the replacement of the history of civilization, but no difference in social function.
Therefore, I am now in China since the Yuan, Ming and the main social function of music, be summarized as .
include: history of my new music stage framework of civilization, seems to have applied to study of the history of Western music.
in the , clan leaders) emerged, but the original music an integral part of witchcraft;
in the ceremony of the client, the government of slaves, the supplementary punishment;
in the , Zuojiu eating background; (music starts witchcraft, rituals, banquet of his legal constraints, evolve into a commercial appreciation of the object. (music further and even the real life of contemporary world music-oriented social function.
general concept, the so-called contemporary, seems to be a whole new world.
it is not. The historical evolution of the contemporary world is the existence of so far.
the so-called history evolution, both the duration of the metabolism, there are a total cumulative time of collection.
so-called replaced the old things, many historical relics, often in the wake of new things already, but more or less, explicitly or implicitly continue to exist.
these things and then past the old sequence in a series of new things, when a total of collection and coupled with the.
contemporary China, the contemporary world is the history of China, the history of the world continues, the occasion is already modern history all there are still more or less explicitly or implicitly were born contemporary.
to music, the past took place witch music, ritual music, feasting, art music, are still more or less explicitly or implicitly were born in the contemporary.
China and the contemporary world of contemporary music, presented A historical collection of complex.
ancient and modern music, contemporary or independent of each other and symbiosis, or mutual integration and Evolution.
historical evolution, the symbiotic coupling and new things, so far left over the past historical period music in contemporary China and the contemporary world, there had been more or less overt or covert substantive changes.
we must face these still exist in the contemporary history of China and the contemporary world music remains.
only face the music of these historical relics, we can truly understand the contemporary world of contemporary music in China and the whole picture, we can truly understand contemporary China and the social function of contemporary world music.
contemporary China and the contemporary world of new musical works, and only home Among the large-scale systems in order to establish its status and value.
one, the decline of witch
music in general, in contemporary China and most parts of the contemporary world, room for maneuver.
Confucius once said: less affected areas of modern civilization, dialogue, God, heaven and earth transportation, exorcising exorcism of demons, wax Festival locust, Clifford asked the, rain Praying for Children's witch music, life still has its strong.
one of the most important reserve , but the Chinese border minority areas.
this so-called witch music, history has already changed.
the occasion of Zhou and Qin, Wu has begun into the ritual music.
witch music in the past, tribal blood Traffic World ( is actually dead ancestors and their creation and communication of civilization) a collective witchcraft, in the .
witch ritual music into a landmark event, is since the Qin Dynasty, the tribe or the collective participation of all members of the clan extraordinary miracles, and to become government officials particular portfolio, a small number of professional musicians specializing in a regular public service.
Reference Three:
that sound good? Formerly Duke Ling of Wei to the Jin, Pu water to the above tax car and put your horse, located in residential homes. Yefen, and hear the new sound of those drums and say it. people ask about, to make reports Eph heard. Naizhao SHI Juan advertised, said: ; promise. residential complex. tomorrow, learning of it, then go to the Jin. Origin of Duke Ping of Jin Shi Yi Zhi in Taiwan. Jiuhan, and spirit from the public. : King Ping said: . So hear this sound who will in the water above. first heard this sound, their country will be cut, not then. SHI Juan study of agitation. Ping Gong asked Shi Kuang said: Shi Kuang said: this Wujundebao enough to listen. , Road to the south, set in the door of the dilapidated Lang; then played it, and the column. three outs of, extension of neck and Wong, Shu-wing and dance, The Sound of Music in the House Commerce, Shengwen in the day. King Ping said to him, sitting by key hi. Origin of the sky as the mentioning level of public life Shi Kuang, Fan Zuo, and asked: Ke Deer angle almost smell? Sprinkle Road, tigers in the former, the spirits in the post, bowed to the ground snakes Teng, Feng Huang, covered, large co-spirits, as the clearance angle. this Wujundebo less than listening to it. listen to it, there will be fear of failure. : split curtain, breaking ZU beans, destroy Gallery watts. seated casual walk, flat V in the Gallery Room of public fear between. Jin drought, Chidi three years. flat body of the public then retention of urine disease. Hence we say: do not listen to government services, and Good pentameter endless, the poor things are the body.
this witch ritual music to change the process, the past that mad, crazy style, gradually elegant and solemn style replacement.
Reference Four:
Max. Weber, The ancient war dance disappeared mm did not form Fanglangxinghai on sidewalks, not even any remnants, only ritual behavior seems to have the characteristics of r l sacraments, but this is not just ceremonial acts EXILE.
five references :
for the Central Plains region of the so-called Wu Yue in the conversion to the ancient ritual, on the one hand the brutal loss of life, original, on the other hand shows the dawn of human civilization.
though, the kind of music witch madness, crazy styles, still makes some of the contemporary Chinese composer Yang Xian-home desire. (is more than the contemporary, is more than China, more than just a composer.)
However, Chiang Kai-shek peaceful, elegant, exactly is the specific length of Chinese music.
early in this transition, Eli music still retains traces of many ancient witch music.
Sui County, Hubei Province unearthed tomb painting, the ringing bells drum musician, is still the first person in the wizard looks like a bird.
tomb paint tomb painting paintings

witch music is this its form, ritual fact, Jinsheng Yuzhen of Zhong Qing of music, ritual music beckons new era began.
into the ritual in the new era After the fun of the original witch, interaction of the original Wu Yuecheng points, it still did not lose their inherent social function.
, of course, the contemporary theme of most so-called popular music discourse, but also between the sexes is simply affectionate, very tough battle.
this so-called men and women who can not help Ben side lost more.
the witch in the social function of music great power.
pop frenzy caused by large-scale performances, events often found riot, security, military police guard to this often.
as contemporary China's ethnic policy, cultural policy, and the so-called Industrial Festival locusts, asked the blessing, praying for rain Praying for Children, in ethnic minority areas, border in remote areas), public and private officials and the people at the party pleasures function, as well as tourist attractions of a commercial nature Yile functions, and the so-called professional music) emerged in the contemporary witch music, original music is already changing the ancient witch inherent social function.
and ritual music, feasting, Yile coupling symbiosis, already no longer a purely contemporary music witch.
Wu Yue myth, magic connotations, especially in its myth, magic of the diction, title, and even music-related witch mountains, buildings, customs, rituals, ethnicity, society, have become a particular ritual, feasting, Yile packaging, and no longer has real meaning.
Wu Yue decline is a historical fact.
Second, the decline of ritual ritual
decline as early as the late Western Zhou Dynasty has began to take shape.
ceremony Disintegration is the inevitable result of the demise of slavery.
like tomb relics displayed as large-scale ritual system, since after the two Northern and Southern, never recovered.
Marquis Yi of Zeng tomb tomb Chimes bells

Bai so-called in the past that use a lot of slaves Review.
Han Dynasty, there is some retro signs.
the occasion of Wei, ring, ; Yun Luo, , first, the critique of the Bamboo Grove Kang weapons, after criticism of Emperor Li Shimin of the weapons.
Kang tone scholar declared: self-manifested. those who are sad to listen to the sad, sad Wyatt is the people, not by the music also. )
from the past, the ritual in the political front, reduced to eating Zuojiu background, this is the so-called br> red tape, music, virtually ignored by the ruling class since the Sui and Tang dynasties.
landmark event in the decline of ritual, is Department of Kabuki Used for funding.
Department was established Kabuki-owned square dance, often to take the ceremonial court music belongs to the Ministry of Kabuki dwarfs.
renowned on the Dunhuang frescoes performance.
this, and those kinds of costly red tape, music, is bound to lose its economic base.
unless highly centralized state, glorious history of ritual is not possible recycling.
strict hierarchy of the system once they are replaced by a democratic society, ritual is bound to lose its social infrastructure.
contemporary world, ritual already faded.
aside from the flags down, large gatherings, Yuebingdianli, sports, few were the ritual involved.
related to the economic, ritual Fun In many cases, already degenerated into a commercial show, lost the solemn past.
am to contemporary ritual of ; business the chill scene, already covered with thick dust of history.
even in some religious ceremony, ritual performances gradually with the commercial content, began to flatter secular.
British Westminster Cathedral open to tourists Solemn Mass, including non-Christians, already into account the public to enjoying all the custom objects.
, of course, in a particular historical context, will be recalled from time to time.
However, if efficacious, and again a different matter.
three pleasures of the transformation
Caomin diet, but food and clothing, not the nobility and officials refined pleasures.
average family , slaves do not have the nature of employment musician's economic strength.
since the Middle Ages, nobles, officials grace, a musician first and foremost prerequisite for survival.
pleasures originally from the nobility and officials enjoy.
only they only support it, public sectors.
banquet of the past, the joy of the hereditary nobility, a class or classes of these new fashionable pursuit.
music from the court, official red tape and put on sort of display, the nobility and officials of public and private banquet of dispensable background, and gradually evolved into tile city of columns, railings, as well as Buddhist and Taoist Temples Square street Shijingzhitu preoccupied enjoying an object.
first year of Qianlong (1637) of the Qing Court > Qing Wang Hui, early, the venue also remains of the banquet of traces.
such as melon seeds, peanuts, candy, cigarettes, tea towel to the class, just like a hereditary aristocracy in the past, government officials pleasures pomp.
this, but Chinese people enjoy opera, concert and cultural pleasures of the special folk birthmark.
tube fast life, pleasures in this way to Yile evolution, with the process of democratization of society, with the general prosperity of the process, the old aristocratic further enjoy the pleasures of ordinary family life.
especially with the recording, playback and technological progress , the daily banquet of background music and background music, no longer needs large sums of expenditure.
Today, the old aristocratic pleasures already enjoy almost all of the daily enjoyment of the community.
physical, psychological pleasure, no longer need a serious sense.
am to contemporary, whether it is the mysterious witch strange music, solemn, music, arts graceful or elegant music, including those filled with the spirit of bourgeois romantic full of heroic proletarian > Of course, the real background music, or those everywhere.
both hotels, guesthouses, or aircraft, trains, both streets, parks, or the shops, markets, so that communities, families, people no longer have the freedom not to listen to music, and fall into a no go into hiding , and fits into the sound network.
the so-called background music, no matter how gentle, are very noisy.
IV, art
Rise of fun out of the witch music, ritual discipline constraints, as the background music pleasures, is the aesthetic of its main social function of Yile base for development.
Because of the nature of eating Zuojiu feasting, and the musicians performing music was unnecessary addition to significant additional publicity.
so-called ; pure music World.
European songs accompanied by piano works born out from the The living fossil.
despite the initial Yile still imprinted with the witch music, ritual, feasting, clear to a new hereditary nobles and government officials.
initial stage of Western performing artists, in addition to the church, the mainly aristocratic, officials feast.
concert paying audience, so that they gradually separate from the nobility and officials. < br> since the Song Dynasty, the increasingly external to the They also often the way through the food for work, a local administrative officials
first official requisition of artisans, the lord is mandatory.
about from the Tang Dynasty, there has been semi-forced, half the employment of the private banquet hall scene.
However, this food for work and employment of musicians, the music troupe of the abysmal family actors, from the artists, and the slaves, and the past is different pleasures.
that original territory.
music aesthetic practice for the first time to obtain short-term independence.
musicians, first highlight the theme of wonderful sounds good classical music.
Music and Arts for the first time out of magic, ritual, banquet of shackles, and relatively free to fly in the sky aesthetic.
ideal in the realm of short-term, at the beginning, composers and performers The artist is the one and two, two and one things.
successful composers, performing artists are often excellent.
the art of the music, a composer not proficient performance is difficult to truly understanding the parallelism for fun voice to the performing artists, composers have made every possible name, but also arty create their own works, but is a virtuoso of adaptation even.
like the composer to feed a large number of performing artists.
using information theory terms, the channel is active in the field of performing artists to the field of active in the source premise of its existence in the composer.
performing artists, but the channel is areas, to convey the composer created in the source of the information in the field of mediation, rather than the real creator.
interesting: inheritance of the Renaissance species of the essence, the same level of skills, coupled with their cultural and social requirements that the complete rational vision: through their art to the same level and science to win their eternal significance, and social effects for their own gain.
In order to obtain more power of discourse, in order to expand the social impact of Western Europe have been independent musicians, it seems that does not meet the musical art of the extends beyond the music, and extensive coverage of literature, drama, dance, art, society, history, politics, religion and many other fields.
just fashionable as the trend, and soon swept through the halls of Western music of all.
In order to get rid of past, Yu Xian Zhong eloquent recognition on the spot ; contained Road symbiosis so-called noise, art music of ; self-discipline, .
raking in profits because the bourgeois nature, music, art aesthetic practice, and soon became the object of bourgeois commercial operation.
composers, has always been a publisher, agent, source of profits.
few composers truly benefit from their creativity, their main reward is the soul free to fly and aesthetic creation.
publishers access to the excess profits, performers are given the flowers and applause, worship, and a substantial commission, most of the composers obtained, it is glorious life of fame and relative poverty.
This is Chen Danqing An open mouth smile Sociological performers mm footnote.
(see , composers and performing artists income still can not be compared.
performers of contemporary music stars, as the main body to create profits.
gradually invisible composer, performing artist began to take center stage.
light weight technology into performing arts industry practices, and the bitter disdain Renxinbugu.
child prodigy, a genius title, performing artists from a patent, but gradually become a modern music composer in the anonymous artisans workshops.
composer of electro-acoustic instrument with each passing day, try every possible combination of voice.
music art, and gradually evolved into a voice technology.
and all the sound and parallelism, the main star of the performing arts for the packaging.
the so-called platinum is no more than the amount arch profit performing arts stars.
so-called list, famous actress nothing but fast decay accounts.
star flashing star dazzle.
Yile, art music, the arts blasphemy already.
the beginning of a new era of music, art Music extinction times.
With the commercialization of the process of creating awareness of the independent composer, already succumbed to the general public.
kitsch music performances surgery, no longer value the br> composers and performing artists together, no longer required beyond the aesthetic standards of the tail to become public.
ideal kingdom collapsed, real feelings become the main target of music.
music buyers and sellers of goods, are living in the real pulse of the ruminant ups and downs.
whether it is seem concerned about the beginning.
There is no social and political black, red, yellow, white, and only ordinary people birth, old age, sickness and death.
There is no witch music extraordinary, not the sacred and solemn ritual, there is no feast Le pleasure pleasure, not Yile aesthetic pursuit, not the kind of immortality of the rational ambitions. Only life experience, the individual's frustration, the boredom of life, the soul adrift.
Purdue no longer possible, there is no outstanding efforts, there is no reason for joy, and then not go beyond excited, and no Renaissance kind of special feeling.
these feelings as human beings communicate with each other and the only slight resonance information.
besides, only the insurmountable gap.
life can never be truly equal, even if equality of opportunity , the outcome is still not the same.
contemporary science and technology is highly developed, well it seems within reach of modern, humane ideals are gradually thin, Pax World has become more distant.
to the zodiac of the contemporary world, the majority of people still nothing.
total production of excess ...